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What he has accomplished is nothing short of a tour de force, giving us a very readable history of this genre, and untangling much about its diverse origins and the multiplicity of paths it has taken into the first decade of the twenty-first century. It also has much to offer scholars interested in popular music, the Islamic public sphere, media and transnationalism, and culture and power. The book, rich with field notes, suggests that a discourse on cultural identity is necessarily a discourse on cultural fluidity.ĭangdut Stories promises to be an enduring work of ethnomusicology.
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Review "In Dangdut StoriesWeintraub has written a masterful, engaging, and exemplary portrait not only of a colorful music genre-with an audience of tens of millions-but also of a dynamic society in transition.īy focusing on dangdut popular music, he recognizes the importance of the cultural industry's role less in shaping a definite musical identity than in underlining its continual slippage as a meaning.
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Kindle Cloud Reader Read instantly in your browser. Dangdut was first developed during the early s, and an historical treatment of the genre's musical style, performance practice, and social meanings is long overdue. Throughout the book the voices and experiences of musicians take center stage in shaping the book's narrative. Dangdut Stories is the first musicological study to examine the stylistic development of dangdut music itself, using vocal style, melody, rhythm, form, and song texts to articulate symbolic struggles over meaning. Quoted material from interviews, detailed analysis of music and song texts, and ethnography of performance illuminate the stylistic nature of the music and its centrality in public debates about Islam, social class relations, and the role of women in postcolonial Indonesia. Despite dangdut's tremendous popularity in Indonesia and other parts of Asia, it has seldom received the serious critical attention it deserves.ĭangdut Stories is a social and musical history of dangdut within a range of broader narratives about class, gender, ethnicity, and nation in post-independence Indonesia present. Dangdut-named onomatopoetically for the music's characteristic drum sounds "dang" and "dut"-is Indonesia's most popular music, heard in streets and homes, public parks and narrow alleyways, stores and restaurants, and all forms of public transportation. Weintraub shows how a genre of Indonesian music called dangdut evolved from a denigrated form of urban popular music to a prominent role in Indonesian cultural politics and the commercial music industry. Download Dangdut Koplo Terbaru New Pallapa 2020 A keen critic of culture in modern Indonesia, Andrew N.
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